Aileen Wen McGroddy is a Chinese- and Irish-American theatre director, educator, and producer of live events. Her work is boldly imaginative, playfully experimental, and utterly alive. Currently, she is a co-artistic director of TUTA Theatre Chicago and Creative Producer for the Writing is Live Festival at Brown University. She is in the Roundabout Directors Group, has been a 2050 Fellow at New York Theatre Workshop, and the BOLD Resident Director at Northern Stage. MFA Directing from Brown-Trinity. Past work includes: A Christmas Carol (Trinity Rep); The Chinese Lady (Kitchen Theatre and Geva Theatre Center); Sense and Sensibility (Northern Stage); Attempts on Her Life (TUTA); Airness (Breckenridge Backstage Theatre); The Late Wedding, The Dumb Waiter, Summer and Smoke, and The Tempest (Brown-Trinity); Cold War Choir Practice, Throwback Island, On The Y-Axis, Akira Kurosawa Explains His Movies and Yogurt (Writing is Live); Mr. Burns: A Post-Electric Play (Adelphi); The Glass Menagerie, Or,, Dani Girl (Winnipesaukee Playhouse); Knuffle Bunny: A Cautionary Musical and The Snowy Day (Emerald City Theatre); Montauciel Takes Flight (Lifeline Theatre); Ulysses (The Plagiarists); A Hero’s Journey, The Hunting of the Snark, Robin Hood, and The Pied Piper (The Forks & Hope Ensemble); The Whiskey Radio Hour, Wake: A Folk Opera, Kodachrome Telephone and Sign of Rain (The Whiskey Rebellion). She has directed readings for New York Theatre Workshop, The Bushwick Starr, Clubbed Thumb, NY Classical Theatre, The Yale Drama Prize, Northern Stage, and Babes with Blades.